So far, we have been looking at the esoteric significance of temple from its architectural perspective, let us now briefly analyze the underlying philosophy from its ritualistic or procedural aspects. As we all know, कल्प (kalpa - ritual) forms an integral part of any organized religion. Infact, that is why, Arthur Avalon, very rightly marks, “It is well said that Ritual is the Art of Religion”. But what exactly is meant by a कल्प (kalpa- ritual)? Etymologically, the English version of the term is derived from the Latin root ‘ritus’ which means ‘custom’. In other words, it represents a “set of customized religious practices”.
कल्प (kalpa - ritual), according to the सनातनधर्म हिन्दुमतस्य (sanātanadharma hindumatasya – eternal law of hindu religion), based on the primary source scriptures viz. वेद / निगम शास्त्र (veda / nigama śāstra – vedic scripture) & तन्त्र/आगम शास्त्र (tantra/ āgama śāstra – agamic / tantric scripture) can broadly be classified either as क्रिया देवयज्ञस्य (kriyā devayajñasya –rite of divine sacrifice) & क्रिया देवयपुजायाः (kriyā devayapujāyāḥ – rite of divine worship) respectively. The former inturn includes the following types viz.: वैदिक आह्निक क्रिया (vaidika āhnika kriya –vedic daily rite), वैदिक गृह्य क्रिया (vaidika gṛhya kriya – vedic domestic rite) & वैदिक श्रौत क्रिया (vaidika śrauta kriya – vedic liturgy rite) while the latter includes तान्त्रिक आत्मार्थ पूजा (tāntrika ātmārtha pūjā – tantric worship for self) & आगमिक परार्थ पूजा (āgamika parārtha pūjā – agamic worship for others).
So far we were analyzing the different naming conventions in vogue relating to तन्त्र/आगम शास्त्र (tantra/ āgama śāstra – agamic / tantric scripture). With this understanding let us move on to the next important concept of what is common theme among them.
चतुष्पदम् (catuṣpadam - fourfold divisions)
Typically, temples constructed according to the आगमविध्यः (āgamavidhyaḥ - agamic prescriptions), would have चतुर् गोपुर प्रवेज़द्वाराणि (catur gopura
praveadvārāṇi – four temple entrances), one for each of the four-sided प्रकार (prakāra - compound wall) pointing to the four cardinal directions viz. மேற்க்கு (mēṛkku– west), தெற்க்கு (teṛkku – south), வடக்கு (vadakku – north) & கிழக்கு (kiḹakku – east) respectively. According
to the आगमशास्त्र (āgamaśāstra
– agama scripture), these
four entry points correspond to the चतुर्मार्गाः (caturmārgāḥ – four paths). In fact, the சமயக்குரவர் நால்வர் (samayakuravar nālvar – four religious leaders) each of whom represent one of the चतुर्मार्गाः (caturmārgāḥ – four paths) listed above, is believed to have originally entered the sacred சிதம்பரம் தில்லை நடராஜர் திருக்கோயில் (cidambaram tillai tiru naṭarājar
tirukkōyil) through one of the four gates respectively.
# |
கோபுரவாசல் (gōpuravāsal – temple gate) |
मार्ग / மார்கம் (mārga /mārgam - path) |
சமயக்குரவர் (samayakkuravar – religious head) |
मुक्ति / முக்தி (mukti - salvation) |
भक्ति भावन / பக்தி பாவனை (bhakti bhāvana / bakthi bāvanai – devotional attitude) |
कार्य अवस्था (kārya avasthā –effectual state) |
1 |
மேற்க்கு
கோபுரவாசல் (mēṛkku gōpuravāsal – west temple-gate) |
चर्य /சரியை (carya/sariyai – conduct) |
அப்பர் (appar) |
सालोकमुक्ति /சாலோகமுத்தி (sālokamukti / sālokamutti – same world liberation) |
दासमार्ग / தாசமார்கம் (dāsamārga / dāsamārgam – servitude path) |
जाग्रत् अवस्था / விழிப்பு நிலை (jāgrat avasthā / viḹippu nilai –waking state) |
2 |
தெற்க்கு
கோபுரவாசல் (teṛkku gōpuravāsal – south temple-gate) |
क्रिया / கிரியை (kriyā /kiriyai – rite) |
திருஞானசம்பந்தர் (tirujñānasaṃbandar) |
सामीप्यमुक्ति /சாமீபியமுத்தி (sāmīpyamukti /sāmīpiyamutti – proximity liberation) |
सत्पुत्रमार्ग / சற்புத்திரமார்கம் (satputramārga / saṛputtiramārgam – true-son path) |
स्वप्न अवस्था
/ கனவு நிலை (svapna avasthā / kanavu nilai – dream state) |
3 |
வடக்கு
கோபுரவாசல் (vadakku gōpuravāsal – north
temple-gate) |
योग /யோகம் (yoga /yōgam –
yoga) |
சுந்தரர் (sundarar)
|
सारूप्यमुक्ति /சாரூபியமுத்தி (sārūpyamukti sārūpiyamutti – same-form
liberation)
|
सहमार्ग / சகமார்கம் (dāsamārga / sagamārgam – comrade path) |
सुषुप्ति अवस्था / உறக்க நிலை (suṣupti avasthā / uṛakka nilai – sleep state) |
4 |
கிழக்கு
கோபுரவாசல் (kiḹakku gōpuravāsal – east temple-gate) |
ज्ञान /ஞானம் (jñāna / jñāna
– gnosis)
|
மாணிக்கவாசகர் (māṇikkavāsagar) |
सायुज्यमुक्ति /சாயுஜ்யமுத்தி (sāyujyamukti / sāyujyamutti – identity liberation) |
सत्मार्ग / சன்மார்கம் (dāsamārga / sanmārgam – servitude path) |
तुरीय अवस्था / பரவச நிலை (turīya avasthā / paravasa nilai – trance state) |
servitude path) |
Thus, as explained above, these four paths serve as the sequential stages that enables one to ascend step by step, from grosser to subtler modes of worship and contemplation.. But please remember that these are not water tight compartments as shades of one will be reflected in the other as well. Thus, as an extension to this four path model viz. चर्य (carya - conduct), क्रिया (kriyā – rite), योग (yoga - yoga) & ज्ञान (jñāna – gnosis), each of these paths are further subdivided into चर्य (carya - conduct), क्रिया (kriyā – rite), योग (yoga - yoga) & ज्ञान (jñāna – gnosis).
शुद्धाद्वैत शैवसिद्धान्त दर्शन (śuddhādvaita śaivasiddhānta darśana – philosophy of pure non-dualistic final auspicious wisdom)
Various शुद्धाद्वैत शैवसिद्धान्त दर्शन (śuddhādvaita śaivasiddhānta darśana – philosophy of pure non-dualistic final auspicious wisdom) including சிவஞானமாபாடியம் (sivajñānamāpāḍiyam) have dealt with this topic. Interestingly, these 16 stepped ladder coincides with the षोडशाक्षर श्रीविद्या मन्त्र (ṣoḍaśākṣara śrīvidyā mantra – sixteen syllabled sacred gnosis hymn).
Thus, as indicated in the above diagram the is a matrix of षोडश उपासनपादानि (ṣoḍaśa upāsanapādāni – sixteen conptemplation steps) where one leads to the other we shall now quickly deep dive into each of these sixteen types.
# |
मार्ग / மார்கம் (mārga /mārgam - path) |
कार्यावस्था / காரியநிலை (kāryāvasthā / kāriyanilai/
– effectual state) |
उदहरणानि मुख्य कर्माणि / முக்கியகார்யங்கலின்
உதாரனங்கள் (udaharaṇāni mukhya karmāṇi / mukkiykarmangaḻin
udāranañgaḻ – examples of important activities) |
A |
चर्य /சரியை (carya/sariyai – conduct) जाग्रत् अवस्था / விழிப்பு நிலை (jāgrat avasthā / viḹippu
nilai –waking state) सालोकमुक्ति /சாலோகமுத்தி (sālokamukti / sālokamutti – same world
liberation) दासमार्ग / தாசமார்கம் (dāsamārga / dāsamārgam – servitude path) |
||
A1 (1) |
चर्यचर्ये /சரியையில் சரியை (caryacarye / sariyaiyil sariyai – conduct in conduct) |
जाग्रत्जाग्रति / விழிப்பில் விழிப்பு (jāgratjāgrati / viḹippil viḹippu -
waking in wake) |
கோயிலில் தொண்டு செய்தல் (kōyilil toṇduseidal – serving in temple) ·
அலகிடுதல் (alagidudhal) ·
மெழுகுதல் (meḹugdhal)
|
A2 (2) |
क्रियाचर्ये /சரியையில் கிரியை (kriyācarye / sariyaiyil kiriyai – rite in conduct) |
स्वप्नजाग्रति / விழிப்பில் கனவு (svapnajāgrati / viḹippil kanavu - dreaming
in wake) |
கோயிலில்
வழிபடுதல் (kōyilil vaḹipaḍudal – worshipping in temple) ·
ரிவார மூர்த்திகளை வணங்குதல் (parivāramūrttigaḻai vaṇaṅgudal)
|
A3 (3) |
योगचर्ये /சரியையில் யோகம் (yogacarye / sariyaiyilyōgam – yoga in conduct) |
सुषुप्तिजाग्रति / விழிப்பில் உறக்கம் (suṣuptijāgrati / viḹippil uṛakkam
- sleep in wake) |
வழிபாட்டில் மனம் ஒன்றுதல் (vaḷipāṭṭil manam onḍrudal) ·
சிவபெருமானினின் உருவத்திருமேனின்யை
மனதால் வழிபடுதல் (sivaperumānin uruvattirumēninyai manadāl vaḷipaḍudal) |
A4 (4) |
ज्ञानचर्ये /சரியையில் ஞானம் (jñānacarye / sariyaiyil
jñānam –
gnosis in conduct) |
तुरीयजाग्रति / விழிப்பில் பரவசம் (turīyajāgrati / viḹippil paravasam
- trance in wake) |
பொதுவான் இரக்க உணர்வு தோனுதல் (poduvāna irakka uṇarvu tōnudal) ·
ஆத்மார்த அனுபவம் உனர்தல் (ātmārtha anubavattai unardal)
|
B |
क्रिया / கிரியை (kriyā /kiriyai – rite) स्वप्न अवस्था / கனவு நிலை (svapna avasthā / kanavu nilai
– dream state) सामीप्यमुक्ति /சாமீபியமுத்தி (sāmīpyamukti /sāmīpiyamutti – proximity
liberation) सत्पुत्रमार्ग / சற்புத்திரமார்கம் (satputramārga / saṛputtiramārgam – true-son path) |
||
B1 (5) |
चर्यक्रियायाम् / கிரியையில் சரியை (caryakriyāyām / kiriyaiyil sariyai – conduct in rite) |
जाग्रत्स्वप्ने
/ கனவில் விழிப்பு (jāgratjsvapne / kanavil viḹippu - waking in
dream) |
பூசைக்கு முன்னேர்ப்பாடு (pūjaikku
munnērppāḍu) ·
பூஜைக்கு வேண்டிய உபகரணங்களை எல்லாம்
செய்வது (pūjaikku vēṇḍīya upakaraṇaṅgaḻai ellām seivadu) · |
B2 (6) |
क्रियाक्रियायाम् / கிரியையில் கிரியை (kriyākriyāyām / kiriyaiyil kiriyai – rite in rite) |
स्वप्नस्वप्ने
/கனவில் கனவு (svapnasvapne / kanavil kanavu -
dreaming in dream) |
ஆத்மார்த்த இலிங்கத்தை பூஜித்தல் (ātmārtha
ilṅgattai pūjittal) By performing पञ्चशुद्धि (pañcaśuddhi – five fold cleansing) viz. भूतशुद्धि (bhūtaśuddhi), धानशुद्धि (dhānaśuddhi), द्रव्यशुद्धि (dravyaśuddhi), मन्त्रशुद्धि (mantraśuddhi) & लिङ्गशुद्धि (liṅgaśuddhi) |
B3 (7) |
योगक्रियायाम् / கிரியையில் யோகம் (yogakriyāyām / kiriyaiyil yōgam – yoga in rite) |
सुषुप्तिस्वप्ने
/ கனவில் உறக்கம் (suṣuptisvapne / kanavil uṛakkam
- sleep in dream) |
பூசித்தலில் மனம் ஒன்றுதல் (pūjittalil
manam ondrudal) |
B4 (8) |
ज्ञानक्रियायाम् / கிரியையில் ஞானம் (jñānakriyāyām / kiriyaiyil
jñānam –
gnosis in rite) |
तुरीयस्वप्ने
/ கனவில் பரவசம் (turīyasvapne / kanavil paravasam
- trance in dream) |
எல்லோரையும் சிவமாக காணுதல் (elloraiyum
sivamāga kāṇudal) |
C |
योग /யோகம் (yoga /yōgam – yoga) सुषुप्ति अवस्था / உறக்க நிலை (suṣupti avasthā / uṛakka
nilai – sleep state) सारूप्यमुक्ति /சாரூபியமுத்தி (sārūpyamukti sārūpiyamutti – same-form
liberation) सहमार्ग / சகமார்கம் (dāsamārga / sagamārgam – comrade path) |
||
C1 (9) |
चर्ययोगे / யோகத்தில் சரியை (caryayoge / yogattil sariyai – conduct in yoga) |
जाग्रत्सुषुप्तौ
/உறக்கத்தில் விழிப்பு (jāgratjsuṣuptau / uṛakkattil viḹippu - waking
in sleep) |
·
இயமம் /यम (iyamam /yama - abstinance), ·
நியமம் /नियम (niyamam / niyama - observances), ·
ஆசனம் /आसन (āsanam /
āsana – poses /exercises) & ·
பிராணாயாமம் /प्राणायम (pirāṇāyamam prāṇāyama – breath control) |
C2 (10) |
क्रियायोगे / யோகத்தில் கிரியை (kriyāyoge / yogattil kiriyai – rite in yoga) |
स्वप्नसुषुप्तौ
/உறக்கத்தில் கனவு (svapnasuṣuptau / uṛakkattil kanavu
- dreaming in sleep) |
«¸â¨º ¦ºö¾ø (agapUsai seidhal – inner worship) ·
பிரத்தியாகாரம் /प्रत्याहार (pirattiyaakāram / pratyāhāra – withdrawl /
absorbtion), ·
தாரனம் / धारण (dhāranam /dhāraṇa - concentration)
|
C3 (11) |
योगयोगे / யோகத்தில் யோகம் (yogayoge / yogattil
yōgam –
yoga in yoga) |
सुषुप्तिसुषुप्तौ
/ உறக்கத்தில் உறக்கம் (suṣuptisuṣuptau / uṛakkattil uṛakkam
- sleep in sleep) |
·
தியானம் / ध्यान (dhyānam / dhyāna - concentration)
|
C4 (12) |
ज्ञानयोगे / யோகத்தில் ஞானம் (jñānayoge / yogattil jñānam –
gnosis in yoga) |
तुरीयसुषुप्तौ
/ உறக்கத்தில் பரவசம் (turīyasuṣuptau / uṛakkattil paravasam
- trance in sleep) |
·
சமாதி /समाधि (samādhi / samādhi - atonement) |
D |
ज्ञान /ஞானம் (jñāna / jñāna – gnosis) तुरीय अवस्था / பரவச நிலை (turīya avasthā / paravasa nilai – trance state) सायुज्यमुक्ति /சாயுஜ்யமுத்தி (sāyujyamukti / sāyujyamutti – identity
liberation) सत्मार्ग / சன்மார்கம் (dāsamārga / sanmārgam – servitude path) |
||
D1 (13) |
चर्यज्ञाने / ஞானத்தில் சரியை (caryajñāne / jñānattil
sariyai – conduct in gnosis) |
जाग्रत्तुरीये / பரவசத்தில் விழிப்பு (jāgratturīye / paravasattil viḹippu
- waking in trance) |
·
கேட்டல் / श्रवण (kēṭṭal
/ śravaṇa - hearing)
|
D2 (14) |
क्रियाज्ञाने / ஞானத்தில் கிரியை (kriyājñāne / jñānattil kiriyai – rite in gnosis) |
स्वप्नतुरीये / பரவசத்தில் கனவு (svapnaturīye / paravasattil kanavu
- dreaming in trance) |
·
சிந்தித்தல் / मनन (sinddittal
/ manana - contemplating) |
D3 (15) |
योगज्ञाने / ஞானத்தில் யோகம் (yogajñāne / jñānattil yōgam – yoga in gnosis) |
सुषुप्तितुरीये / பரவசத்தில் உறக்கம் (suṣuptiturīye / paravasattil uṛakkam
- sleep in trance) |
·
தெளிதல் (teḻidal) |
D3 (16) |
ज्ञानज्ञाने / ஞானத்தில் ஞானம் (jñānajñāne / jñānattil jñānam –
gnosis in gnosis) |
तुरीयतुरीये / பரவசத்தில் பரவசம் (turīyaturīye / paravasattil paravasam
- trance in trance) |
·
நிட்டைகூடுதல் (niṭṭaikūḍudal) |
The noble saint சீகாழி தத்துவப்பிரகாச சுவாமிகள் (sīkāḹi tattuvappirakāsa
suvāmigaḻ) gives a very very good introduction to the षोडश उपासनपादानि (ṣoḍaśa upāsanapādāni –
sixteen contemplation steps) in his famous treatise தத்துவப்பிரகாசம் (tattuvappirakāsam). The following verses
summarizes the same:
The next important point to understand is that the षोडश उपासनपादानि (ṣoḍaśa upāsanapādāni – sixteen conptemplation steps) discussed above, has deeper esoteric significance, underlying its exoteric rituals. In terms of occult soteriology, as indicated in the above table, they would map to the आत्मसङ्ग्रमन (ātmasaṅgramana – transmigration of soul) ascending through the षोदश कार्य अवस्थाः (ṣodaśa kārya avasthāḥ – sixteen effectual states)
क्रिया देवयपुजायाः (kriyā devayapujāyāḥ – rite of divine worship)
Next, let us briefly touch upon the क्रिया देवयपुजायाः (kriyā devayapujāyāḥ – rite of divine worship) aspects of the temple rituals specifically focusing on पूजा (pūjā - worship). In the case of a true भक्त (bhakta – devotee) generally devotional rituals like पूजा (pūjā - worship) is considered as one of the most important techniques for उपासना (upāsanā - spiritual orientation / contemplation) towards his God. In An Encyleopedia of Religion and Ethics, James Hasting describe पूजा (pūjā - worship) thus,
“Worship may be said to be the
ritual presentation of offerings supposed to be specially grateful to the
divinity, or object of adoration accompanied by obeisance and other acts
designed to express humility and subservience, and usually by the occurrence of
sacred formulae – praises, prayers, thanks or narrative.”
With this understanding let us move on to the next important concept of what is common theme among them.
Similarly, क्रिया देवयपुजायाः (kriyā devayapujāyāḥ – rite of divine worship) is effective only if is holistically practiced by thought, word and deed.
Please remember that typically प्रार्थना (prārthanā - prayer) is an integral part of पूजा (pūjā - worship). But what exactly is प्रार्थना (prārthanā - prayer)? Well, as a response to this question, I would like to reflect upon here the beautiful explanation given by the Nobel Prize Laureate, eminent surgeon and more importantly a devout Christian- Dr. Alexis Carrel,
“Prayer seems to be essentially an ascent of the spirit toward the immaterial substratum of the world. Generally it consists of a complaint, a cry of anguish, a call for rescue. Sometimes it becomes a serene contemplation of the imminent and transcendent principle of all things. We can define it also as an elevation of the soul towards God. As an act of love and adoration for the one from where comes the marvel that is life. In fact, prayer is man's effort of trying to communicate with an invisible person, Creator of everything that exists, supreme wisdom, power and beauty, Father and Savior of us all. Far from consisting of a simple recital of formulas, the real prayer represents a mystical state where consciousness is absorbed in God. This stare is not of intellectual nature, while at the same time remains inaccessible to philosophers and scientists, and like the sense of love and beauty, it does not demand (require) any scholarly knowledge. Simple people feel the presence of God like they feel the warmth of the sun or the scent of a flower. But this God who is so easily accessible to the one who knows how to love it is hidden to the one who knows only how to understand. Thoughts and words are inadequate when trying to describe it. This is why prayer finds its highest expression in a soaring of love that transcends the obscure night of intelligence.”
The भक्त (bhakta – devotee)’s respect and adoration towards the नित्य कल्यान गुण (nitya kalyāna guṇa – eternal divine qualities) of his beloved form of सगुण ब्रह्मन् (saguṇa brahman - Divine Personality) increases multifold during this period. This is in line with what Sri Aurobindho declares as the underlying theme of भक्ति (bhakti -devotion), -
“The Divine is a Being and not an abstract existence or a status of pure timeless infinity; the original and universal existence is He, but that existence is inseparable from consciousness and bliss of being, and an existence conscious of its own being and its own bliss is what we may well call a divine infinite Person,--Purusha… The way of the integral Yoga of bhakti will be to universalise this conception of the Deity, to personalise him intimately by a multiple and an all-embracing relation, to make him constantly present to all the being and to devote, give up, surrender the whole being to him, so that he shall dwell near to us and in us and we with him and in him.”
As an expression of such भक्ति (bhakti -devotion) towards the सगुण ब्रह्मन् (saguṇa brahman - Divine Personality), every भक्त (bhakta – devotee), from the deepest of his heart, begins to contemplate on the दिव्य स्वरूप इष्टदेवतायाः (divya svarūpa iṣṭadevatāyāḥ– natural Divine form of beloved deity).
In fact, only through the परमप्रेम भक्तस्य (paramaprema bhaktasya – supreme love of devotee), technically translated as भक्ति उपासन (bhakti upāsana – devotional contemplation), his इष्टदेवता (iṣṭadevatā – beloved deity) is impregnated (rather activated) as the अर्चावतारमूर्ति (arcāvatāramūrti – divinized motif) manifested in the विग्रह /प्रतिका (vigraha / pratikā – statue / image) as His दिव्यभूतस्वरूप (divyabhūtasvarūpa – natural divine physical form) while its associated दिव्यशब्दस्वरूप (divyaśabdasvarūpa - natural sonic form of divinity) gets manifested in the corresponding मन्त्र (mantra - hymn). The following verse from कुलार्णवतन्त्रम् (kulārṇavatantram) very clearly testified this truth:
प्रतिविधान देवपूजायाः (pratividhāna devapūjāyāḥ - classification of deity-worship)
With this understanding, let us analyze the major types of the देवपूजायाः (devapūjāyāḥ - deity worship) widely practiced in Hinduism. Broadly, according to the आगमशास्त्रसंहिता (āgamaśāstrasaṃhitā – agama scriptural corpus), based on कृत प्रयोजकत्व (kṛta prayojakatva – performing agency) the देवपूजायाः (devapūjāyāḥ - deity worship) is classified into two major divisions as indicated below:
आत्मार्थ
/स्वार्थ पूजा (ātmārtha /
svārtha
pūjā – worship for own-purpose):
आत्मार्थ /स्वार्थ पूजा (ātmārtha / svārtha pūjā – worship for own-purpose), as the name indicates refres to all forms of देवयपुजायाः (devayapujāyāḥ – deity worship) performed by a devotee, for the sake and benefit of स्वयम् (svayam - oneself), or his close family members. कामिकागम (kāmikāgama) defines it as follows:
In other words, not only the performer of the देवयपुजायाः (devayapujāyāḥ – deity worship) is oneself but oneself is also the reaper of its benefits. It should ideally be performed by the individual
soul, internally within (mentally) and then externally reflected within closed
circles, at his own home, mostly in a exclusively dedicated room for the same
called पूजाकक्षा (pūjākakṣā
– worship
room). The साधक (sādhaka -
practictioner) is formally
initiated by his कुलगुरु (kulaguru – family preceptor) and the object of contemplation used during such
externalized rite is typically a प्रतिमा (pratima - image), प्रतीक (pratika - idol), यन्त्र (yantra - embmlem) or a combination of these representing the अर्चावधार मूर्ति (arcāvadhāra mūrti – worshipbbale incarnative icon) of his chosen deities, The श्री चक्रनवावर्णपूजा (śrī
cakra navāvarṇa pūjā) religiously
performed by श्री विद्या उपासक (śrī
vidyā upāsaka) is a classic
example of this type. Again, the various forms of the पञ्चयतनपूजा (pañcayatanapūjā – five-bodied worship) formalized श्री आदि शम्कराचार्य भगवत्पाद (śrī ādi śamkarācārya
bhagavatpāda), as part of the षण्मतसंप्रदाय (ṣaṇmatasaṃpradāya – six-theology tradition) also falls under this category.
The तन्त्र शास्त्र (tantra śāstra) deal at length with the आत्मार्थ पूजा (ātmārthapūjā – worship for own purpose); similarly various वैदीक स्मृती (vaidīka smṛtī) also comprehensively address the rules for performing the same. Ideally, everybody is eligible for performing such आत्मार्थ पूजा (ātmārtha pūjā – worship by self) irrespective of his caste, class or creed. However, it is mandatory that he has to have faith in it and be sincerely committed to the same and to this end, he is advised to get formally inducted to the tradition, through a process called समय दीक्ष (samaya dīkṣa – custom orientation / induction). The शारदा तिलक तन्त्र (śāradā tilaka tantra), लक्ष्मी तन्त्र (lakṣmī tantra), याज्ञवल्क्य स्मृति (yājñavalkya smṛti), and various गृह सूत्र शास्त्र (gṛha sūtra śāstra) etc., for example, prescribes the rules for conduct for performing various kinds of पूजा (pūjā - worship). Again, आगमशास्त्रसंहिता (āgamaśāstrasaṃhitā – agama scriptural corpus) perspective, मृगेन्द्रागम (mṛgendrāgama), मातङ्गागम (mātaṅgāgama) etc., deal at length with the principles and practice of आत्मार्थ पूजा (ātmārtha pūjā – worship by self) and which was later expanded upon by revered saint अघोर्शिवाचार्य (aghorśivācārya) in his क्रियाक्रमद्योतिका (kriyākramadyotikā).
परार्थपूजा (parārthapūjā
– worship for others):
On the other hand, unlike a आत्मार्थ पूजा (ātmārtha pūjā – worshipby oneself), which is performed directly by the concerned individual साधक (sādhaka - practictioner), in the case of a परार्थपूजा (parārthapūjā – worship for others), as the name indicates, the साधक (sādhaka - practictioner) seeks the help of a duly qualified third person, a अचार्य (acārya - preceptor) to act as the connecting agents, between them and their Gods. The main आगमशास्त्रसंहिता (āgamaśāstrasaṃhitā – agama scriptural corpus) elaborately dealing with परार्थपूजा (parārthapūjā – worship for others) includes अजितागम (ajitāgama), कामिकागम (kāmikāgama) etc. For example, the अजितागम (ajitāgama), as part of its क्रियापाद (kriyāpāda – ritual section) defines it as follows:
Again, the sacred अजितागम (ajitāgama), as part of its क्रियापाद (kriyāpāda
– ritual section) defines परार्थपूजा (parārthapūjā – worship for
others) as follows
In addition to the आगमशास्त्रसंहिता (āgamaśāstrasaṃhitā – agama scriptural corpus) various other treatises similar to standard operating procedures were later formulated and systematized and expanded in the form of पद्धतिग्रन्थाः (paddhatigranthāḥ - system digests) belonging to the revered saints. Out of these पद्धतिग्रन्थाः (paddhatigranthāḥ - system digests), the first अष्टदश (aṣṭadaśa - eighteen) are considered to be more important within the आदिशैवसंप्रदाय (ādiśaivasaṃpradāya – adishaiva lineage)
# |
शिवाचार्य (śivācārya) |
पद्धतिग्रन्थ (paddhatigrantha - system digest) |
प्रकरण (prakaraṇa
- treatise) |
A |
अष्टदशपद्धतिग्रन्थाः आदिशैव संप्रदायस्य (aṣṭadaśapaddhatigranthāḥ ādiśaiva saṃpradāyasya - eighteen system digests of Adi-Shaiva
Lineage) |
||
1 |
श्री
दुर्वास शिवाचार्य (śrī durvāsa
śivācārya) |
दुर्वासपद्धति (durvāsapaddhati) |
|
2 |
श्री
पिङ्गल शिवाचार्य (śrī piṅgala śivācārya) |
पिङ्गलपद्धति (piṅgalapaddhati) |
|
3 |
श्री
उग्रज्योति शिवाचार्य (śrī ugrajyoti śivācārya) |
उग्रज्योतिपद्धति (ugrajyotipaddhati) |
|
4 |
श्री
श्रीकण्ठ शिवाचार्य (śrī śrīkaṇṭha śivācārya) |
श्रीकण्ठपद्धति (śrīkaṇṭhapaddhati) |
|
5 |
श्री
विष्णुकण्ठ शिवाचार्य (śrī viṣṇukaṇṭha śivācārya) |
विष्णुकण्ठपद्धति (viṣṇukaṇṭhapaddhati) |
|
6 |
श्री
शुबोध शिवाचार्य (śrī śubodha śivācārya) |
शुबोधपद्धति (śubodhapaddhati) |
|
7 |
श्री
विद्याकण्ठ शिवाचार्य (śrī vidyākaṇṭha śivācārya) |
विद्याकण्ठपद्धति (vidyākaṇṭhapaddhati) |
|
8 |
श्री
रामकण्ठ शिवाचार्य (śrī rāmakaṇṭha śivācārya) |
रामकण्ठपद्धति / नटराजपद्धति (rāmakaṇṭhapaddhati / naṭarājapaddhati)
|
नटराजपद्धति (naṭarājapaddhati) |
9 |
श्री
ज्ञानकण्ठ शिवाचार्य (śrī jñānakaṇṭha śivācārya) |
ज्ञानकण्ठपद्धति (jñānakaṇṭhapaddhati) |
|
10 |
श्री
ज्ञानशंकर शिवाचार्य (śrī jñānaśaṃkara śivācārya) |
ज्ञानशंकरपद्धति (jñānaśaṃkarapaddhati) |
ज्ञानरत्नावल्ली
(jñānaratnāvallī) |
11 |
श्री
सोमशंभु शिवाचार्य (śrī somaśaṃbhu śivācārya) |
सोमशंभुपद्धति (somaśaṃbhupaddhati) |
कर्मकाण्डक्रमवल्लि
(karmakāṇḍakramavalli) |
12 |
श्री
ब्रह्मशंभु शिवाचार्य (śrī brahmaśaṃbhu śivācārya) |
ब्रह्मशंभुपद्धति / नैमित्तिककर्मानुसन्धान (brahmaśaṃbhupaddhati/ naimittikakarmānusandhāna) |
नैमित्तिककर्मानुसन्धान (naimittikakarmānusandhāna) |
13 |
श्री
त्रिलोचनशिव शिवाचार्य (śrī trilocanaśiva śivācārya) |
त्रिलोचनशिवपद्धति (trilocanaśivapaddhati) |
|
14 |
श्री
अघोरशिव शिवाचार्य (śrī aghoraśiva śivācārya) |
अघोरशिवपद्धति (aghoraśivapaddhati) |
क्रियाक्रमद्योतिका (kriyākramadyotikā) |
15 |
श्री
वरुणशिव शिवाचार्य (śrī varuṇaśiva śivācārya) |
वरुणशिवपद्धति (varuṇaśivapaddhati) |
|
16 |
श्री
प्रसादशिव शिवाचार्य (śrī prasādaśiva śivācārya) |
प्रसादशिवपद्धति (prasādaśivapaddhati) |
|
17 |
श्री
रामकण्ठशिव शिवाचार्य (śrī rāmakaṇṭhaśiva śivācārya) |
रामकण्ठशिवपद्धति (rāmakaṇṭhaśivapaddhati) |
|
18 |
श्री
ईसानशिव शिवाचार्य (śrī īsānaśiva śivācārya) |
ईसानशिवपद्धति (īsānaśivapaddhati) |
|
B |
चिदम्बरनटेशवरपञ्चपूजासूत्राणि
चिदम्बरदीक्षित संप्रदायस्य (cidambaranaṭeśavarapañcapūjāsūtrāṇi cidambaradīkṣita saṃpradāyasya) |
||
19 |
श्री
पतञ्जलिमहऋषि (śrī patañjalimahaṛṣi) |
चिदम्बरक्षेत्रसर्वस्व
/ चिदम्बरनटेशवरपञ्चपूजासूत्राणि (cidambarakṣetrasarvasva / cidambaranaṭeśavarapañcapūjāsūtrāṇi) |
·
चिदम्बरेश्वरनित्यपूजासूत्र / नटराजनित्यपूजासूत्र (cidambareśvaranityapūjāsūtra/ naṭarājanityapūjāsūtra) ·
चित्सभेशोत्सवसूत्र / चित्सभेशोत्सवपूजापातञ्जलसूत्र / नटराजोत्सवपूजापातञ्जलसूत्र (citsabheśotsavasūtra/ citsabheśotsavapūjāpātañjalasūtra
/ naṭarājotsavapūjāpātañjalasūtra) ·
नटेशनैमित्तिकपूजासूत्र
(naṭeśanaimittikapūjāsūtra) ·
प्रायश्चित्तपूजासूत्र
(prāyaścittapūjāsūtra) ·
नटेशप्रतिष्ठापातञ्जलसूत्रा
(naṭeśapratiṣṭhāpātañjalasūtrā) |
C |
Others |
||
20 |
श्री
भोजदेव शिवाचार्य (śrī bhojadeva śivācārya) |
भोजदेवपद्धति (bhojadeva paddhati) |
·
सिद्धान्तसारपद्धति
(siddhāntasārapaddhati) |
Please note that the अघोरशिवपद्धति (aghoraśivapaddhati) & सोमशंभुपद्धति (somaśaṃbhupaddhati) are considered the two most important ones among the अष्टदशपद्धतिग्रन्थाः आदिशैव संप्रदायस्य (aṣṭadaśapaddhatigranthāḥ ādiśaiva saṃpradāyasya - eighteen system digests of adi-shaiva lineage).
A closer look at परार्थपूजा (parārthapūjā – worship for others)
Next, let us take a closer look into परार्थपूजा (parārthapūjā – worship for others) performed especially across the दिव्यक्षेत्राणि (divyakṣetrāṇi – sacred spaces) that are constructed and managed based on आगमशास्त्रसंहिता (āgamaśāstrasaṃhitā – agama scriptural corpus). An important point to remember is that परार्थपूजा (parārthapūjā – worship for others) is a kind of delegated worship which is typically performed at a common place (mainly temples) and is suitable for collective worship. Typically, a highly qualified specialist called आलय अर्चक (ālaya arcaka – temple priest), who is formally trained and has received not just समयदीक्षा (samayadīkṣā – religious induction), विशेषदीक्षा (viśeṣadīkṣā – special induction), निर्वाणदीक्षा (nirvāṇadīkṣā – induction for liberation) but has also received what is technically called as आचार्यदीक्षा (ācāryadīkṣā – initiation as a preceptor) entitled to perform the same.
चिदम्बरनटराज पूजा (cidambaranaṭarāja – Chidambara Nataraja worship)
Interestingly, according to चिदम्बरदीक्षित संप्रदाय (cidambaradīkṣita saṃpradāya – tradition of Chidambara
Dikshitars), a आलय अर्चक (ālaya arcaka
– temple priest) additionally needs विशेष पतञ्जिलदीक्षा (viśeṣa patañjiladīkṣā –
special patanjala-induction) as a mandarory prerequisite inorder to perform परार्थनटराजपूजा (parārtha naṭarājapūjā – Nataraja worship for others).
This is because unlike in the case of regular शिवालयाः (śivālayāḥ - shiva temples) in Tamil Nadu that are governed and managed by the आदिशैव संप्रदाय (ādiśaiva saṃpradāya - Adi-Shaiva Lineage), wherein शैवागमशास्त्र (śaivāgamaśāstra – agama scripture) is the primary authoritative scripture, here at चिदंबरम् (cidaṃbaram) it is not so. At चिदंबरम् (cidaṃbaram) there is a hybrid model holistically synergizing between शैवागम शास्त्र (śaivāgama śāstra), शाक्ततन्त्र शास्त्र (śāktatantra śāstra) & वेदनिगम शास्त्र (vedanigama śāstra)
To be more specific there is what can be called as आदर्श संमेलन मध्यए
वैदिक आगमिक तान्त्रिक च शास्त्रानि (ādarśa
saṃmelana madhyae vaidika āgamika tāntrika ca śāstrāni – perfect synergy between vedic, agamic and
tantric scriptures). In
particular, incorporates some of best
practices from शैवागम शास्त्र (śaivāgama śāstra) texts like मकुटागम (makuṭāgama) while at
the same time, incorprates वैदिकक्रियाः (vaidikakriyāḥ - vedic rites) including chanting of the sacred श्रीरुद्रमन्त्र (śrīrudramantra) and in particular leverages बौधायनगृहसूत्र (baudhāyanagṛhasūtra) etc., which
is a वेदनिगम
शास्त्र (vedanigama śāstra).
According
to चिदम्बरदीक्षित संप्रदाय (cidambaradīkṣita
saṃpradāya – tradition of Chidambara Dikshitars), such a best of breed
synthesis was introduced into the system by श्री पतञ्जलिमहऋषि (śrī
patañjalimahaṛṣi) through his magnum opus masterpiece
titled चिदम्बरक्षेत्रसर्वस्व (cidambarakṣetrasarvasva)
which is also popularly known as
the चिदम्बरनटेशवरपञ्चपूजासूत्राणि (cidambaranaṭeśavarapañcapūjāsūtrāṇi) containing the पञ्चविधसूत्रान्णि (pañcavidhasūtrānṇi
– fivefold treatises) listed in the above table:
The unparalleled role of श्री पतञ्जलिमहऋषि (śrī patañjalimahaṛṣi) in this regard is very clearly explained by श्री उमापतिशिवाचार्य (śrī umāpatiśivācārya) in his stava श्री कुञ्चिताङ्घ्रि स्तवः (śrī kuñcitāṅghri stavaḥ), a eulogical masterpiece:
Similarly, in the கோயிற்புராணம் (kōyiṛpurāṇam) which is a popular स्थलपुराण चिदम्बरक्षेत्रस्य (sthalapurāṇa cidambarakṣetrasya - temple legend of chidambaram) written in beautiful Tamil poetry by श्री उमापतिशिवाचार्य (śrī umāpatiśivācārya) himself, records as to how the noble emperor श्री हिरण्यवर्मचक्रवर्तिन् (śrī hiraṇyavarmacakravartin) had carried these sacred texts on his head in a ritual procession to the temple, thereby showcasing the importance and honur given to these texts.
Again, please recollect that the temple is associated with the श्रीचक्रयन्त्र (śrīcakrayantra – sacred wheel emblem) along with the संमेलनचक्र (saṁmelana cakra –
synergy wheel) depicting the शिवशक्तिसंमेलन (śivaśaktisaṁmelana – shiva-shakti-union). In fact, this is the महारहस्य (mahārahasya - supreme secret) revealed here.
With this understanding let us quickly analyze different ways of classifying परार्थपूजा (parārthapūjā – worship for others) in general and wherever possible with special reference to चिदम्बरनटराज पूजा (cidambaranaṭarāja – Chidambara Nataraja worship). At the broadest level can take one of the two forms viz. कर्माचरपूजा (karmācarapūjā – ritual worship) & उत्सवपूजा (utsavapūjā – festival worship).
The subtle but important differences between these two forms of worship by Prof. Sri S.K. Ramachandra Rao in his manum opus Agama Encyclopedia thus:
“Worship in temples is a complex of ceremonies which are essentially religious in significance and of events which are essentially social in import. The former pertain to the rituals meant to preserve the spiritual power of the image in the sanctum and to promote the sanctity of the shrine. The latter, however, are the means of attracting the devotees and improving the image of the temple in the eyes of the people. The former may be described as karmācara (ritual), while latter are the ‘festivals’.”
The next important point to understand is that परार्थपूजा (parārthapūjā – worship for others) in temples are usually performed either as वैयतिक पूजा (vaiyatika pūjā – private worship) wherein the requestor, sponsorer and the benefiter is a private individual devotee; or it can also be performed as a सार्वजनिक पूजा (sārvajanika pūjā – public worship), wherein the stakeholders are the general public devotees, associated with the temple. The latter can further be classified as either नित्यपूजा (nityapūjā – daily worship), नैमित्तिक पूजा (naimittika pūjā – occasional worship) & उत्सवपूजा (utsavapūjā – festival worship)
नित्योत्सव (nityotsava – regular festival) events based on time of the day
The frequency of performance of रार्थपूजा (parārthapūjā – delegated worship) typical occurs in the either as नित्योत्सव (nityotsava – daily festival), वारोत्सव (vārotsava – weekly festival), पक्षोत्सव (pakṣotsava – fortnightly festival), मासोत्सव (māsotsava – monthly), पञ्च पर्व उत्सव (pañca parva utsava – five auspicious periods), वार्षिक उत्सव (vārṣika utsava- annual festival) etc. the purpose of the event: either as व्यवहार कर्म (vyavahāra karma – mandatory event) or नैमित्तिक (naimittika – occasional). We shall now try to get a brief overview of different frequencies of उत्सव (utsava – festival) and their spiritual significances
देवार्चन (devārcana - euologizng the god) for example, is one of the important aspects of नित्योत्सव (nityotsava – daily festival) prescribed by आगम शास्त्र (āgama śāstra). In the following verses from श्री कुञ्चिताङ्घ्रि स्तवः (śrī kuñcitāṅghri stavaḥ), a eulogical masterpiece on चिदम्बर नटराज शिवालय (cidambara naṭarāja śivālaya – Chidambaram Nataraja Temple) composed by श्री उमापति शिवचार्य (śrī umāpati śivacārya) describes the typical process thus,
The नित्योत्सव (nityotsava – daily festival) is further classified into eight modes, spread across three time zones. There are some variations in the frequency of performing the rites within a day, as summarized below:
# |
Type of नित्योत्सव (nityotsava – daily festival) |
उदय काल (udaya kāla – morning period) |
मद्य काल
(madya kāla – afternoon period) |
सायङ्काल (sāyaṅkāla - evening
period) |
Total |
|
दिवा (divā – day time) |
रात्रि (rātri - night) |
|||||
1 |
उत्तमोत्तम (uttamottama – excellent excellent) |
4 |
4 |
8 |
||
2 |
उत्तम मध्य (uttama madhya – excellent middle) |
4 |
3 |
7 |
||
3 |
उत्तमाधम (uttamādama – high & low) |
4 |
2 |
6 |
||
4 |
मध्योत्तम (madhyottama – middle highest) |
|
|
|
5 |
|
5 |
मध्योमध्यम (madhyomadhyama – middle middle) |
|
|
|
4 |
|
6 |
मध्योऽधम (madhyo'dhama – middle lowest) |
1 |
1 |
1 |
3 |
|
7 |
अध्यमोऽधम (adhyamo'dhama – lowest middle) |
|
|
|
2 |
|
8 |
अध्यमोऽध्य (adhyamo'dhya
– lowest low) |
|
|
|
1 |
Again, please remember that a religious
calendar अहोरात्र (ahorātra – daynight) is typically divided into 60 नाडिकाः / நாழிகைகள் (nāḍikāḥ / nāḹigaigaḻ), which is further sub divided into six time periods as indicated below, and special पूजा (pūjā - prayers) are conducted in many temples
which are affiliated to specific आगम शास्त्र (āgama śāstra) that prescribe accordingly.
# |
Time |
Details Please Note: नाडि/ நாழிகை (nāḍika/ nāḹigai) = 24 minutes |
1 |
प्रातकाल (prātakāla – morning time) |
10 नाडिकाः (nāḍikāḥ) from सूर्योदय (sūryodaya – sunrise) |
2 |
मध्याह्नकाल (madhyāhnakāla
– afternoon time) |
10 नाडिकाः
(nāḍikāḥ) after
प्रातकाल (prātakāla
– morning time) |
3 |
सायङ्काल (sāyaṅkāla
– evening time) |
10 नाडिकाः (nāḍikāḥ)
after मध्याह्नकाल (madhyāhnakāla – afternoon time) |
4 |
प्रदोषकाल (pradoṣakāla – dusk time)
|
7.5 नाडिकाः (nāḍikāḥ) after सूर्य हस्तमं (sūrya
hastamaṁ - sunset) |
5 |
अर्धजामकाल (ardhajāmakāla – midnight time) |
3.75 नाडिकाः (nāḍikāḥ) after प्रदोषकाल (pradoṣakāla
– dusk time) |
6 |
उषाकाल (uṣākāla – dawn time) |
3.75 नाडिकाः (nāḍikāḥ)
before सूर्योदय (sūryodaya
- sunrise) |
For example, the practice of ஆறுகாலப்பூஜை / षट्कालपूजा (āṛukālappūjai / ṣaṭkālapūjā – six period worship) is an integral part of many important शिवालयाः (śivālayāḥ – shiva temples) in South India, including famous temples including the ones at சிதம்பரம் / चिदम्बरम् (cidambaram), திருவெண்காடு (tiruveṇkāḍu) etc. The revered saint and scholar श्री उमापतिशिवाचार्य (śrī umāpatiśivācārya) in his famous eulogy masterpiece श्री कुञ्चिताङ्घ्रिस्तवः (śrī kuñcitāṅghristavaḥ) sings thus,
Such नित्य पूजा (nitya pūjā – daily worships) are repeatedly performed
typically six times a day, technicallyed as ஆறுகாலப்பூஜை / षट्कालपूजा (āṛukālappūjai / ṣaṭkālapūjā – six period worship). At चिदम्बर
नटराज शिवालय (cidambara naṭarāja śivālaya –
Chidambaram Nataraja Temple), for example, the
following timings are generally followed. Esoterically, this would correspond
to the षडृतुवर्षे (ṣaḍṛtuvarṣe- six seasons in a year) and alternatively to even the षडाधारचक्राणि कुण्डलिनीशक्तेः (ṣaḍādhāracakrāṇi kuṇḍalinīśakteḥ – six base centres of
coiled energy).
# |
पूजाकाल (pūjākāla
– worship period) |
பூஜை நேரம் (pūjainēram – worship time) |
Important Rites |
1 |
उषाकाल / सन्ध्याकाल (uṣākāla / sandhyākāla
– dawn time) |
6:30 am |
· गोपूजा /கோ பூஜை (gopūjā / gopūjai – cow worship) · क्षीरनैवेद्य (kṣīranaivedya –
milk offering) is offered to the sacred रत्नकचितस्वर्नपादुक नटराजस्य (ratnakacitasvarnapāduka
naṭarājasya – gem-studded gold sandal of Nataraja), who is relaxing on a रजतान्दोल / வெள்ளி ஊஞ்சல் (rajatāndola /veḷḷi ūñjal - silver swing) at his பள்ளியறை /शयनगृह (paḷḷiyaṛai /śayanagṛha- sleeping room)
· The पवित्रपादुका (pavitrapāduka – holy sandal) is then taken to the சித்சபை / चित्सभा (citsabai / citsabhā – gnostic hall) · கும்பம் வைத்து ஹோமம் / कुम्भसहहोम (kumbam vaiththu hōmam / kumbhasahahoma – homa with kumbha) · பஞ்சகவ்ய அபிஷேக / पञ्चगव्य अभिषेक (pañcagavya abiṣēgam / pañcagavya abhiṣeka – fivefold milk products ablution) · நைவேதியம் / नैवेद्य (naivēdiyam / naivedya – consecrated food
offering) · தீபாரதனை / दीपाराधन (dīpārādhanai / dīpārādhana – light propitiation) |
2 |
प्रातकाल / द्वितीयकाल (prātakāla / dvitīyakāla – second time) |
10:00 am |
स्फटिक लिङ्ग अभिषेक ( sphaṭika liṅga abhiṣeka - sacred bath of crystal linga) रत्नसभापति अभिषेक (ratnasabhāpati
abhiṣeka) · தீபாரதனை / दीपाराधन (dīpārādhanai / dīpārādhana – light propitiation) |
3 |
मध्याह्नकाल (madhyāhnakāla
– afternoon time) |
12:00 pm |
·
रत्नसभापति अभिषेक (ratnasabhāpati
abhiṣeka) · நைவேதியம் / नैवेद्य (naivēdiyam / naivedya – consecrated food offering) தீபாரதனை / दीपाराधन (dīpārādhanai / dīpārādhana – light propitiation) |
4 |
सायङ्काल (sāyaṅkāla
– evening time) |
6:00pm |
· षोडश उपचार (ṣoḍaśa upacāra) · अभिषेक (abhiṣeka - sacred bath) · தீபாரதனை / दीपाराधन (dīpārādhanai / dīpārādhana – light propitiation) |
5 |
प्रदोषकाल / रहस्यकाल (pradoṣakāla /rahasyakāla – dusk time / secret time) |
7:30 pm |
· चिदम्बर रहस्य / निश्कल शिव पूज (cidambara rahasya / niśkala
śiva pūjā) · अभिषेक (abhiṣeka - sacred bath) · தீபாரதனை / दीपाराधन (dīpārādhanai / dīpārādhana – light propitiation) |
6 |
अर्धजामकाल (ardhajāmakāla – midnight time) |
9:30 pm |
· अभिषेक (abhiṣeka - sacred bath) · நைவேதியம் / नैवेद्य (naivēdiyam / naivedya – consecrated food
offering) · தீபாரதனை / दीपाराधन (dīpārādhanai / dīpārādhana – light propitiation) · रत्नकचितस्वर्नपादुक नटराजस्य (ratnakacitasvarnapāduka
naṭarājasya – gem-studded gold sandal of Nataraja) returned to the பள்ளியறை /शयनगृह (paḷḷiyaṛai /śayanagṛha- sleeping room) by carrying it on a स्वर्नराज्यान (svarnarājyāna – golden palanquin). · நைவேதியம் / नैवेद्य (naivēdiyam / naivedya – consecrated food
offering) religiously
offered
to ¨ÀÃÅ÷ (śrī
bhairavamūrti). · நைவேதியம் / नैवेद्य (naivēdiyam / naivedya – consecrated food
offering) religiously
offered
to ஸ்ரீ அர்தஜாம அழகர் மூர்த்தி (śrī
ardhajāma aḷagar mūrti) · நைவேதியம் / नैवेद्य (naivēdiyam / naivedya – consecrated food
offering) religiously
offered
to श्री ब्रह्मचण्डिकेश्वरमूर्ति (śrī brahmacaṇḍikeśvaramūrti) |
Please note that பஞ்சகவ்ய அபிஷேக / पञ्चगव्य अभिषेक (pañcagavya abishEkam / pañcagavya abhiṣeka – ceremonial bath with fivefold milk products) is a sacred ritual performed five main dairy products and have deeper esoteric significance.
# |
गव्य (gavya
– milk-product butter) |
देवता (devata
- deity) |
1 |
घृत (ghṛta –
clarified butter) |
रुद्रदेव (rudradeva) |
2 |
दधि (dadhi - curd) |
सोमदेव (somadeva) |
3 |
क्षीर (kṣīra - milk) |
शुक्रदेव (śukradeva) |
4 |
गोमूत्र (gomūtra – cow-urine) |
नटदेव (naṭadeva) |
5 |
गोमय (gomaya – cow-dung) |
अर्क / सूर्यदेव (arka / sūryadeva) |
Again, the षोडश उपचाराः (ṣoḍaśa upacārāḥ – sixteen service/solicitations)
typically include the following and exoterically
they correspond to the षोडश उपासनपादानि (ṣoḍaśa
upāsanapādāni – sixteen conptemplation steps) discussed earlier and coincides
with षोडशाक्षर श्रीविद्या मन्त्र (ṣoḍaśākṣara
śrīvidyā mantra – sixteen syllabled sacred
gnosis hymn).
# |
उपचारा (upacāra –service/solicitation) |
Summary |
कार्यावस्था / காரியநிலை (kāryāvasthā / kāriyanilai/ – effectual
state) |
1 |
आवाहनं (āvāhanaṁ - invitation) |
Invocaton
of the इष्ट
देवत (iṣṭa devata - beloved deity) to be present in the विग्रह / प्रतिका (vigraha / pratikā – statue / image) |
जाग्रत्जाग्रति / விழிப்பில் விழிப்பு (jāgratjāgrati / viḹippil viḹippu - waking in wake) |
2 |
आसन (āsana - seat) |
Offering
a suitable पीठ (pīṭha - seat) to the अधिदेव (adhideva – presiding deity) |
स्वप्नजाग्रति / விழிப்பில் கனவு (svapnajāgrati / viḹippil kanavu - dreaming in wake) |
3 |
पाद्य (pādya- feet) |
washing
the holy feet with water. |
सुषुप्तिजाग्रति / விழிப்பில் உறக்கம் (suṣuptijāgrati / viḹippil uṛakkam - sleep in wake) |
4 |
अर्घ्य (arghya – offering water) |
Special
ingrediants like सिद्धार्थक (siddhārthaka – mustartd seed), sesame seed, barley grains, white rice grains etc., are mixed with water &
milk and offered. |
तुरीयजाग्रति / விழிப்பில் பரவசம் (turīyajāgrati
/ viḹippil paravasam - trance in wake) |
5 |
आचमनं (ācamanaṁ - water sipping) |
Rite symbolizing शुद्धि (śuddhi
- puragation) of the self by sipping sacred water three times representing the triple
realms आधिभौतिक (ādhibhautika – relating
to matter/body), आध्यात्मिक (ādhyātmika – relating to
(human) soul) & आधिदैविक (ādhidaivika - relating to divine
(spirit)) |
जाग्रत्स्वप्ने / கனவில் விழிப்பு (jāgratjsvapne /
kanavil viḹippu - waking in dream) |
6 |
स्नान /अभिषेक (snāna / abhiṣeka – anointing / bathing) |
Ceremonial
bathing with prescribed articles – milk, curd, ghee,
clarified butter, water etc |
स्वप्नस्वप्ने /கனவில் கனவு (svapnasvapne / kanavil kanavu - dreaming in dream) |
7 |
वस्त्र/वसनेभूषणे (vasanabhūṣaṇe – decorating / dressing with cloth): |
Adorning
the देवत (devata - deity) with नव / प्रत्यग्र वस्त्राणि (nava / pratyagra vastrāṇi - new / fresh clothes) |
सुषुप्तिस्वप्ने / கனவில் உறக்கம் (suṣuptisvapne / kanavil uṛakkam - sleep in dream) |
8 |
यज्ञोपवीत (yajñopavīta – sacred chord) |
Offering the sacred
thread to the देवत (devata - deity) |
तुरीयस्वप्ने / கனவில் பரவசம் (turīyasvapne
/ kanavil paravasam - trance in dream) |
9 |
भूषनम् / आभरनम् (bhūṣanam / ābharanam – ornaments/ jewelery) |
Offering of भूषनम् / आभरनम् (bhūṣanam / ābharanam – ornaments/ jewelery) |
जाग्रत्सुषुप्तौ /உறக்கத்தில் விழிப்பு (jāgratjsuṣuptau / uṛakkattil
viḹippu - waking in sleep) |
10 |
गन्धम (gandha - fragarence) |
Offering auromatic substances like sandal paste
etc. |
स्वप्नसुषुप्तौ /உறக்கத்தில் கனவு (svapnasuṣuptau / uṛakkattil kanavu - dreaming in sleep) |
11 |
पुष्प (puṣpa – flower) |
Offering प्रत्यग्र पुष्पाणि अलङ्कार (pratyagra puṣpāṇi alaṅkāra – fresh flowers decoration) |
सुषुप्तिसुषुप्तौ / உறக்கத்தில் உறக்கம் (suṣuptisuṣuptau / uṛakkattil uṛakkam - sleep in sleep) |
12 |
धूपं (dhūpaṁ
- burning
incense) |
Waving the धूम्र (dhūmra - burning incense) |
तुरीयसुषुप्तौ / உறக்கத்தில் பரவசம் (turīyasuṣuptau
/ uṛakkattil paravasam - trance in sleep) |
13 |
दीपं (dīpaṁ
- lamp) |
Waving of lamps to
ward off evils. |
जाग्रत्तुरीये / பரவசத்தில் விழிப்பு (jāgratturīye
/ paravasattil viḹippu - waking in trance) |
14 |
प्रापण (prāpaṇa) /नैवेद्य (naivedya): |
Offering cooked food to the अधिदेव (adhideva – presiding deity). |
स्वप्नतुरीये / பரவசத்தில் கனவு (svapnaturīye / paravasattil kanavu - dreaming in trance) |
15 |
ताम्बूल (tāmbūla – betel leaf) |
Offering ताम्बूल (tāmbūla – betel leaf), पूर्ग (pūrga - arecha nut) & कर्पूरस् (karpūras - camphor) & संबार (saṃbāra – spices) |
सुषुप्तितुरीये / பரவசத்தில் உறக்கம் (suṣuptiturīye / paravasattil uṛakkam - sleep in trance) |
16 |
प्रदक्षिण नमस्कारम् (pradakṣiṇa namaskāram – circumabulation prostration) |
Circumambulating
the deity and offering साष्टाङ्ग नमस्कारम् (sāṣṭāṅga namaskāram – eight limbed prostration) |
तुरीयतुरीये / பரவசத்தில் பரவசம் (turīyaturīye
/ paravasattil paravasam - trance in trance) |
Certain schools recommend अष्टदश उपचाराः (aṣṭadaśa upacārāḥ – eighteen service/solicitations) and map it to the 18 sacred verses of the पुरुषसूक्त (puruṣasūkta) from the ऋग्वेदमन्त्र (ṛgvedamantra). For example, the following verses from the लक्ष्मीतन्त्र (lakṣmītantra):
Very detailed guidelines are prescribed in different आगम शास्त्र (āgama śāstra) instructing the exact rites to be observed for these नित्य पूजा (nitya pūjā – daily worship). There are some variations in the prescribed procedures across theological traditions viz.शैव आगम (śaiva āgama) like कारणागम (kāraṇāgama) etc., prescribe procedures for शैव संप्रदाय (śaiva saṁpradāya),, वैश्णव आगम (vaiśṇava āgama) like पञ्चरात्र आगम (pañcarātra āgama), वैखनास आगम (vaikhanāsa āgama) etc., for श्री वैष्णव संप्रदाय (śrī vaiṣṇava saṁpradāya) etc.,
Some of these rites are further customized
at specific temple levels as well, For example, the rituals at the famous श्री चिदम्बरनटराजक्षेत्रम् (śrī cidambaranaṭarājakṣetram) has been customized by श्री पतञ्जलिमहऋषि (śrī patañjalimahaṛṣi).
Similarly, श्री रामानुजाचार्य (śrī rāmānujācārya) is believed to have custromized
the procedures at श्रीरङ्गनाथक्षेत्र (śrīraṅganāthakṣetra). The overall principles however are more or
less the same across all traditions. The sacred कारणागम (kāraṇāgama) for instance very categorically declarers the significance of such नित्यार्चन (nityārcana – daily anointment) thus,
आगन्तुकनित्यपूजा (āgantukanityapūjā – incidental regular worship)
In addition to the above discussed नित्यपूजा (nityapūjā – regular worship), there are various other recurring spiritual events technically called as आगन्तुकनित्यपूजा (āgantukanityapūjā – incidental regular worship) performed regularly based on some specific पञ्चाङ्ग (pañcāṅga – almanac) based events/incidents like तिथि (tithi – lunar day of month), नक्षत्र (nakṣatra – lunar mansion/ asterism), as defined in the following verse:
We shall now quickly take a look at some of the आगन्तुकनित्यपूजा (āgantukanityapūjā – incidental regular worship)
पक्षोत्सव (pakṣotsava – fortnightly festival) events based on तिथि (tithi – lunar day of month) :
Specific rituals are preformed in many temples corresponding to a तिथि (tithi – lunar day). The following are some of the important ones according to Hindu religious calendar
# |
तिथि (tithi – lunar day) |
Importance |
1 |
अमवाश्य (amavāśya – no moon) |
Auspicious for शक्ति उपासन (śakti upāsana) |
2 |
चतुर्ति (caturti – fourth lunar
day) |
Auspicious for गनेशउपासन (ganeśa upāsana) |
3 |
शष्टि (śaṣṭi – sixth lunar day) |
Auspicious for स्कन्द उपासन (skanda upāsana) |
4 |
एकादसि (ekādasi – eleventh lunar
day) |
Associated with विष्णु (viṣṇu) |
5 |
त्रियोदसि (triyodasi – thirteenth
lunar day) |
Associated with रुद्रशिव (rudra śiva) & नरशिंह (naraśiṁha) during प्रदोष काल (pradoṣa kāla), that is
1.5 hours before and after the Sunset. |
6 |
कृष्णपक्ष चतुर्दशि (kṛṣṇapakṣa caturdaśi – fourteenth
lunar day of waning moon) |
Associated with शिव (śiva) |
7 |
पुर्णिमा (purṇimā – full moon) |
Auspicious for शिव उपासन (śiva upāsana) |
वारपूजा (vārapūjā
– weekly wprship)
events based on वासरम् (vāsaram – solar day) :
Similar to the spiritual significance of तिथि (tithi – lunar day), the वासरम् (vāsaram – solar day) also a significant role to play in Hindu religious calendar
# |
ग्रह (graha – planetary body) |
वासरम् (vāsaram – solar day) |
उपास्न देवत
(upāsna devata
– deity to be worshipped) |
1 |
சூரியன் / सूर्य (sūrian / sūrya – sun) |
ஞாயிறு / रविवार् (jñāyiṛu / ravivār - sunday) |
सूर्यपूजा (sūryapūjā) |
2 |
திங்கள்
/ चन्द्र
(tiṅgaḻ/chandra – moon) |
திங்கள் / सोमवार् (tiṅgaḻ / somavār
- monday) |
शिवपूजा (śivapūjā) |
3 |
செவ்வாய்
/ अङ्गारक
(cevvāi / aṅgāraka - mars) |
செவ்வாய் / मङ्गल्वार् (cevvāi / maṅgalvār - tuesday) |
स्कन्दपूजा (skandapūjā) |
4 |
புதன் / बुध (budan / budha – mercury) |
புதன் /बुध्वार् (budhan / budhvār - wednesday) |
|
5 |
குரு / गुरु (guru – jupiter) |
வியாழன் / गुरुवार् (viyāḹan / guruvār – thursday) |
श्री दक्षिनामूर्तिपूजा (śrī dakṣināmūrtipūjā) |
6 |
சுக்கிரன் / शुक्र (sukkiran / śukra – venus) |
வெள்ளி / शुक्रवार् (veḹḹi / śukravār - friday) |
पराशक्तिपूजा (parāśaktipūjā) |
7 |
சனி¢ / शनि (sani / śani – saturn) |
சனி
/ शनिवार् (sani / śanivār - saturday) |
महा विष्णुपूजा (mahā viṣṇupūjā) |
मासोत्सव (māsotsava – monthly) events based on नक्षत्र (nakṣatra – lunar mansion/ asterism):
The whole of following months is dedicated to worshiping specific देवत (devata – deity) as illustrated below:
# |
चन्द्रमन माश (candramana māśa - lunar month) |
उपास्न देवत
(upāsna devata – Deity to be worshipped) |
मुख्य वासरम् (mukhya vāsaram – special solar day) |
मुख्य तिथि (mukhya tithi – special lunar day) |
1 |
ஆடி/आषाढ / कटक (āḍi / āṣāḍha - Jul mid
to Aug mid) |
पराशक्ति (parāśakti) |
வெள்ளி / शुक्रवार् (veḹḹi / śukravār - friday) |
अमवाश्य (amavāśya – no moon) |
2 |
புரட்டாசி / भाद्र / कन्य (puraṭṭāsi/ bhādra/
kanya – Sep mid to Oct mid) |
महाविष्णु (mahāviṣṇu) |
சனி / शनिवार् (sani / śanivār - saturday) |
एकादशि (ekādaśi – eleventh lunar day) |
3 |
கார்த்திகை/कार्तिक/वृश्चिक (kārththigai /kārtika/
vṛścika - Nov mid to Dec mid) |
परमशिव (paramaśiva) |
திங்கள் / सोमवार् (tiṅgaḻ / somavār
- monday) |
पुर्णिमा (purṇimā – full moon) |
Additionally, the specific नक्षत्र (nakṣatra – lunar mansion/ asterism) falling on the पुर्णिमा (purṇimā – full moon) corresponding to every चन्द्रमन माश (candramana māśa - lunar month) is considered sacred and उपासन (upāsana - worship) to its respective presiding deity is considered auspicious.
# |
चन्द्रमनमाश (candramanamāśa - lunar month) |
नक्षत्र (nakṣatra – lunar
mansion/ asterism) on पुर्णिमा (purṇimā – full moon) |
1 |
சித்திரை /चैत्र / मेश (cittirai / chaitra / meśa - Apr mid to May mid) |
चित्रा /சித்திரை (citrā / cittirai) |
2 |
வைகாசி /वैशाख/वृशभ (vaikāsi/vaiśākha/vṛśabha – May mid to June mid) |
विशाक / விசாகம் (viśāka / visāgam) |
3 |
ஆனி
/ ज्यैष्ठ / मिथुन (āni / jyaiṣṭha/ mithuna – Jun mid to Jul mid) |
ज्यैष्ठ /கேட்டை (jyaiṣṭha /kēṭṭai) |
4 |
ஆடி/आषाढ / कटक (āḍi / āṣāḍha - Jul mid
to Aug mid) |
पूर्व आषाढ/
பூராடம் (pūrva āṣāḍha / pūrāḍam) or उत्तर आषाढ / உத்திராடம் (uttara āṣāḍha/uttirāḍam) |
5 |
ஆவணி / श्रावण / सिम्ह (āvaṇi/śrāvaṇa/ simha - Aug mid to Sep mid) |
श्रावण / திருவோணம் (śrāvaṇa/ tiruvōṇam) |
6 |
புரட்டாசி / भाद्र / कन्य (puraṭṭāsi/ bhādra/
kanya – Sep mid to Oct mid) |
पूर्वभद्रपद / பூரட்டாதி (pūrvabhadrapada / pūraṭṭādi) or उत्तरभद्रपद
/ உத்திரட்டாதி (uttara bhadrapada / uttiraṭṭādi) |
7 |
ஐப்பசி
/ आश्विन
/ थुला (aippasi / āśvina/ thulā
– Oct mid to Nov mid) |
अश्विनी / அசுவினி (aśvinī / asuvini) |
8 |
கார்த்திகை/कार्तिक/वृश्चिक (kārththigai /kārtika/
vṛścika - Nov mid to Dec mid) |
कृतिका /கிருத்திகை (kṛtikā/kiruttigai)
|
9 |
மார்கழி / अग्रहायण/धनुश् (mārgazhi / agrahāyaṇa /
dhanuś - Dec mid to Jan mid) |
मार्गशीर्ष /மிருகஸீரிஷம் (mārgaśīrṣa/ mirugaśīrṣam) |
10 |
தை / पौष / मकर (thai / pauṣa /
makara – Jan mid to Feb mid) |
पुष्य /பூசம் (puṣya /pūsam) |
11 |
மாசி / माघ / कुम्भ (māsi / māgha/ kumbha –
Feb mid to Mar mid) |
मघा /மகம் (maghā / magam) |
12 |
பங்குனி
/ फाल्गुन
/ मीन (paṅguni / phālguṇa /
mīna – Mar mid to Apr mid) |
उत्तरफल्गुनी / உத்திரம் (uttara uttaraphalgunī / uttiram) |
Thus typically every month, there is an opportunity to celebrate and worship. This fact is testified in the following verses from the sacred text
At श्री चिदम्बरनटराजक्षेत्रम् (śrī cidambaranaṭarājakṣetram), performing अभिशेक (abhiśeka - ablution) on the आनन्द ताण्दव नटराज मूर्ति (ānanda tāṇdava naṭarāja mūrti) is considered a very auspicious event which is temporally spread across six months in a year, technically called as षट् अभिषेकाः /ஆறு திருமஞ்சனங்கள் (ṣaṭ abhiṣekāḥ / āṛu tirumanjananṅgaḻ - six ablutions), as listed below,
# |
पूजामास (pūjāmāsa – worship month) |
Celestial event |
अभिषेकसभा (abhiṣekasabhā
– abltion stage) |
अभिषेककाल (abhiṣekakāla
– ablution timings) |
पूजामास (pūjākāla – worship time) |
द्वजारोहनाणि (dvajārohanāṇi
– flag posts) |
1 |
சித்திரை /चैत्र / मेश (cittirai / chaitra / meśa - Apr mid to May mid) |
श्रावणनक्षत्र/ திருவோணம்
நட்சத்திரம் (śrāvaṇa nakṣatra / tiruvōṇam natcattiram) |
கனகசபை / कानक सभा
(kanagka sabai / kānaka sabhā – golden assembly/stage) |
6.30.p.m.to
10.30.p.m |
|
|
2 |
ஆனி / ज्यैष्ठ / मिथुन (āni / jyaiṣṭha/ mithuna – Jun mid to Jul mid) |
उत्तरफल्गुनी नक्षत्र / உத்திரம் நட்சத்திரம் (uttara uttaraphalgunī nakṣatra / uttiram
natcattiram) |
இராஜசபை / राजसभा
(rājasabai / rājasabhā – royal assembly/ stage) |
3.00a.m.to
6.00a.m |
27 days |
9 |
3 |
ஆவணி / श्रावण / सिम्ह (āvaṇi/śrāvaṇa/ simha - Aug mid to Sep mid) |
शुक्लपक्ष
चतुर्दशि तिथि / வளர்பிறை சதுர்தசி (śuklapakṣa
caturdaśi tithi/ vaḻarpiṛai caturdasi titi – fourteenth day of waning moon) |
கனக சபை / कानक सभा (kanagka sabai / kānaka sabhā – golden assembly/stage) |
6.30p.m.to
10.30p.m |
|
|
4 |
புரட்டாசி / भाद्र / कन्य (puraṭṭāsi/ bhādra/
kanya – Sep mid to Oct mid) |
शुक्लपक्ष
चतुर्दशि तिथि / வளர்பிறை சதுர்தசி திதி (śuklapakṣa
caturdaśi / vaḻarpiṛai caturdasi tithi – fourteenth day of waning moon) |
கனக சபை / कानक सभा (kanagka sabai / kānaka sabhā – golden assembly/stage) |
6.30p.m.to
10.30.p.m |
|
|
5 |
மார்கழி / अग्रहायण/धनुश् (mārgazhi / agrahāyaṇa /
dhanuś - Dec mid to Jan mid) |
आर्द्रा नक्षत्र / திருவாதிரை நட்சத்திரம் (ārdrā nakṣatra
/ Tiruvādirai natcattiram) |
இராஜசபை / राजसभा
(rājasabai / rājasabhā – royal assembly/ stage) |
3.00a.m.to
6.00a.m |
9 days |
1 |
6 |
மாசி / माघ / कुम्भ (māsi / māgha/ kumbha – Feb mid to Mar mid) |
शुक्लपक्ष
चतुर्दशि तिथि / வளர்பிறை சதுர்தசி திதி (śuklapakṣa
caturdaśi titi / vaḻarpiṛai caturdasi tithi– fourteenth day of waning moon) |
கனக சபை / कानक सभा (kanagka sabai / kānaka sabhā – golden assembly/stage) |
6.30p.m.to
10.30.p.m |
18 days |
5 |
The noble saint श्री उमापतिशिवाचार्य (śrī umāpatiśivācārya) in the following verses from श्री कुञ्चिताङ्घ्रिस्तवः (śrī kuñcitāṅghristavaḥ) very clearly testifies the same
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